Download Adobe Production Premium for Final Cut Studio Editors by Focal Press PDF

By Focal Press

ISBN-10: 0240812239

ISBN-13: 9780240812236

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This is much faster than importing with the added benefit that Bridge is able to track and maintain the metadata from the clips while Final Cut is busy editing them. This drag-and-drop process works the same when dragging a clip into the Timeline for Soundtrack Pro (see Fig. 43), the Layers or Canvas windows of Motion, or the Assets tab of DVD Studio Pro. Because Bridge normally takes up the full screen, be sure to switch to Compact mode (Command + Return) to make it small enough that you can move files from Bridge into Final Cut.

36 With hundreds of metadata fields to choose from, this preference allows you to control which fields Bridge will display. Note the checkbox allowing you to hide empty fields. Metadata can be changed at any time by simply clicking in the field you want to change and making your corrections. To delete metadata, select the entire contents of the field and press the Delete key. Chapter 2 Adobe Bridge: Our Media Hub 33 Where Metadata Is Stored Most of the time, metadata is stored in the file itself.

What calibration means is that the exposure and colors you see on your screen closely match the actual exposure and colors being captured by the camera. The basic problem is that computer monitors use entirely different settings for color compared with video cameras. Because of this, we cannot trust our computer to make critical color decisions. Complicating matters further, the LCD monitors on most lowend cameras are notorious for their inability to accurately display the video being captured.

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Adobe Production Premium for Final Cut Studio Editors by Focal Press


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