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29. 2 2 Sources Baraka, Amiri, “Foreword,” in Rebellion Is the Circle of a Lover’s Hands, Curbstone Press, 1990. Bradley, John, Review of Rebellion Is the Circle of a Lover’s Hands, in Bloomsbury Review, March 1991, p. 5. Cornish, Sam, Review of Rebellion Is the Circle of a Lover’s Hands, in Ploughshares, Vol. 17, No. 1, Spring 1991, pp. 229–31. S. Invasion, Puerto Rico Still Deserves Independence,” Knight Ridder/Tribune News Service, July 23, 1998. —, Rebellion Is the Circle of a Lover’s Hands, Curbstone Press, 1990, p.

Comparing the helpless native Taino people in canoes to scattering lizards as they tried to flee from Spanish soldiers is metaphorically brilliant as well as very telling of the fears the natives experienced at the hands of the invaders. ’” Because Columbus and his explorers mistakenly thought they had reached India when, in fact, they had landed in the Caribbean islands, they attached the word “Indio” to the actual name of the people they encountered. Right away, they gave the native people and their entire culture a new title—half Spanish, of course—whether they wanted it or not.

Their literature examines the reality of life of Puerto Ricans on the mainland and their traditions. This leads us to examine street vending or peddling. As an established street vendor, the man in the poem finds himself caught between two desires: earning a living and abiding by the law. Cruz es- P o e t r y f o r S t u d e n t s B u s i n e s s tablishes this man’s resolve—his many arrests do not cause him to stop peddling. Secondly, the court appearance shows this man’s plight. As he breaks the law in front of the judge who scorns him, the detectives and court clerks roll on the floor in laughter, indicating that they enjoy his business.

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American Women Poets in the 21st Century: Where Lyric Meets Language


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